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Searchlight 2015: Grant Lawrence's top 5 reasons to enter and 5 early standouts

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This is it: your final week to enter Searchlight 2015, our hunt for Canada's best new artist. The voting begins on Monday, March 30!

"What's the point in entering? There's already too many artists signed up to compete with" some artists ask me.

What's with the negative vibe, man? As AC/DC once sang, "it's a long way to the top if you want to rock 'n' roll," so stay positive, sign up and go for it!

Why? Here's why:

1. Meet other artists

In music industry speak, this is called "networking." In the real world, it's called forming a "community." Searchlight is a great forum for connecting with other like-minded artists in your city, province and country. Form bonds, book shows, plan tours, have fun.

2. Get heard and played on CBC

Each and every week of Searchlight, we're choosing artists who have entered and we're featuring them on CBC Radio, TV and online, just like the five artists you'll discover in the gallery above. Next week it could be you.  

3. Win $20,000 in new music equipment

I really don't know of any musician, famous or not, who couldn't use 20K in new gear, and Yamaha Canada has just about everything you could ask for.

4. Perform at the CBC Music Festival

You could be jet-setting from anywhere in Canada to Toronto for our festival at Echo Beach to perform live alongside artists such as Joel Plaskett, Patrick Watson, Bahamas, Fred Penner and many more.

5. Someone has to win

Really, if you don't enter, someone else is guaranteed to win. What we like to say around here is "just entering Searchlight is winning." What we hope is that you'll receive enough benefits just from the act of entering that no matter how far you get, it will be worth your while. Good luck!

Hover and click on the gallery above to discover five early Searchlight standout artists who have entered and have already stuck out in great ways for us. 

Who is your favourite Searchlight discovery? What type of gear would you choose with 20K? Do you enter contests? What have you won in the past by entering on a whim? Let us know your thoughts by commenting on our blog, or tweeting @CBCRadio3 with the hashtag #Searchlight.

LISTEN

Listen to hosts Grant Lawrence, Lana Gay and Louise Burns discuss the Searchlight contest and new and emerging Canadian bands on Radio 3.


Godspeed to Earl Sweatshirt: 7 albums to stream this week

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As always, there are so many streams and so little time. To help you listen more efficiently, we've picked seven standout, must-listen streams that are online this week. 

Artist: Godspeed You! Black Emperor
Album:Asunder, Sweet and Other Distress
Where:Exclaim!

"As previously reported, the record is a four-track, 40-minute collection of entirely new material 'where composition, emotion and 'note-choice' is inextricable from an exacting focus on tone, timbre, resonance and the sheer materiality of sound.'"

Artist: Earl Sweatshirt
Album: I Don't Like Shit, I Don't Go Outside
Where:DJ Booth

"I'm grown."

Artist: Sufjan Stevens
Album: Carrie & Lowell
Where: CBC Music

"With Carrie & Lowell, Michigan-raised, Brooklyn-based Sufjan Stevens reflects on his absent mother — the titular Carrie, who died in 2012 — and his stepfather, Lowell Brams." 

Artist: Lower Dens
Album: Escape from Evil
Where: NPR

"While it retains plenty of Nootropics' sleek, sci-fi texture, complete with frigid synthesizers and chiseled rhythms, Escape from Evil zooms in on the most mysterious part of the elaborate, adaptable mechanism known as Homo sapiens: the heart."

(Photo: Coup D'Oreille/Wikimedia Commons)

Artist: Action Bronson
Album: Mr. Wonderful
Where:DJ Booth

"After building his buzz with a slew of quality mixtapes, Flushing, Queens phenom Action Bronson takes his career to the next level with the release of his debut studio album."

Artist: Ron Sexsmith
Album: Carousel One
Where:CBC Music

“I didn’t realize until we were putting the songs together for Carousel One that this would be more outgoing. There’s a lot more humour," says Sexsmith. "I mean, there’s even a smiling picture on the cover, which I’ve never had before. I just hope it doesn’t scare the children."

Artist: Dear Rouge
Album: Black to Gold
Where:CBC Music

"Named as one of Radio 3's 15 most anticipated albums of 2015, the time for Dear Rouge is finally here. Black to Gold marks the married Vancouver duo's major label debut, and it's a huge leap forward for the electro-pop act."

Rear-View Mirror: How a snoring Keith Richards wrote the Stones’ "(I Can’t Get No) Satisfaction"

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Every week, Rich Terfry looks back in our Rear-view Mirror at a great song from the good ol’ days. This week, the Rolling Stones' "(I Can't Get No) Satisfaction"

Somewhere, there's a tape that contains almost 45 minutes of the sound of Keith Richards snoring AND the seeds of the greatest rock and roll song ever written.

LISTEN

Rich Terfry takes you behind the all-time classic "Satisfaction," created during a Keith Richards' nap.

In 1965, the Rolling Stones were touring in the US for the third time. After a show in Clearwater, Florida, Keith Richards was asleep in his motel room, dreaming of rock and roll glory. A riff came to him in his dream. He knew it was a good one, so he stirred long enough to grab his guitar and a cassette recorder to document the riff. He later said, "on the tape you can hear me drop the pick and the rest is snoring". When he woke up the next morning, he had another idea - a title for the new song "(I Can't Get No) Satisfaction". 

Richards brought the idea to his song writing parter, Mick Jagger, and asked him if he could come up with some lyrics. The timing was perfect. Jagger had a bit of a chip on his shoulder that day. The tour had left Jagger feeling disgusted with America and what he called its "advertising syndrome". In ten minutes, while lounging by the motel pool, Jagger finished writing the song that would become an instant classic. 

Jagger later said that he figures Richards got the idea for the title line of the song from a Chuck Berry song called "30 Days", in which Berry sings, "I don't get no satisfaction from the judge..." Jagger says they listened to Chuck Berry a lot in those days and that "can't get no..." is not how an English person would express themselves. 

E Street Band guitarist Steven Van Zandt has suggested that this song shows the influence Bob Dylan was having on rock and roll at the time - the cynicism and bringing the personal lyrics of folk tradition into rock and roll.

Here's Keith Richards' and Mick Jagger's crowning achievement - a song widely regarded as the greatest rock song ever recorded that features the greatest guitar riff of all time. This is "Satisfaction" on Rear View Mirror.

Here are some other great editions of Rear-view Mirror:

Bob Dylan - "Like a Rolling Stone"

George Harrison - "My Sweet Lord"

Lynyrd Skynyrd - "Sweet Home Alabama"

Bobbie Gentry - "Ode to Billie Joe"

The Beach Boys - "Never Learn Not to Love"

Johnny Cash - "Ring of Fire"

The Kinks - "You Really Got Me"

The Beatles - "Yesterday"

Al Green - "Let's Stay Together"

Simon and Garfunkel - "The Boxer"

Smokey Robinson and the Miracles - "Tracks of my Tears"

Elvis Presley - "Heartbreak Hotel"

Bruce Cockburn - "Lovers In A Dangerous Time"

The Doors - "Light My Fire"

Bob Dylan & Jimi Hendrix - "All Along The Watchtower"

The Clash - "London Calling"

Phil Spector and the Ronnettes - "Be My Baby"

Os Mutantes - "Ando Meio Desligado"

The Diamonds - "Little Darlin"

Captain Beefheart - "Yellow Brick Road"

Elton John - "Bennie and the Jets"

Hank Williams - "Long Gone Lonesome Blues"

R.E.M. - "What's the Frequency, Kenneth?"

Tom Waits - "Jockey Full of Bourbon"

Neil Diamond - "Sweet Caroline"

The Who - "Pinball Wizard"

Buffalo Springfield - "For What It's Worth"

Five Man Electrical Band - "Signs"

Band Aid - "Do They Know It's Christmas"

John Lennon - "Imagine"

The Ugly Ducklings - "Nothin"

Bob Dylan - "Tangled Up In Blue"

The Beatles - "Norwegian Wood"

The Pursuit of Happiness - "I'm An Adult Now"

Bruce Springsteen - "Born To Run"

Arcade Fire - "Wake Up"

Gnarls Barkley - "Crazy"

Big Joe Turner - "Shake Rattle and Roll"

Martha and the Muffins - "Echo Beach"

Wilson Pickett - "In The Midnight Hour"

The Band - "The Night They Drove Old Dixie Down"

Fleetwood Mac - "Go Your Own Way"

The Animals - "House of the Rising Sun"

Ian and Sylvia - "Four Strong Winds"

James Brown - "Please Please Please"

John Cougar Mellencamp - "Pink Houses'"

Leonard Cohen - "Suzanne"

The Ramones - "I Wanna Be Sedated"

Blue Rodeo - "Try"

The Guess Who - "American Woman"

U2 - "I Still Have't Found What I'm Looking For"

Janis Joplin - "Me and Bobby McGee"

Gordon Lightfoot - "If You Could Read My Mind"

The Byrds - "Eight Miles High"

Simon and Garfunkel - "The Sound of Silence"

Bill Haley and his Comets - "Rock Around The Clock"

The Velvet Underground - "I'm Waiting For The Man"

Johnny Cash - "Folsom Prison Blues"

Bobby Fuller - "I Fought The Law"

Big Star - "September Gurls"

The Hollies - "Bus Stop"

Joy Division - "Love Will Tear Us Apart"

Booker T and the MGs - "Green Onions"

Jimi Hendrix - "Hey Joe"

Neil Young - "Rockin' in the Free World"

Dolly Parton - "Jolene"

The Left Banke - "Walk Away Renee"

Lou Reed - "Walk On The Wild Side"

James Taylor - "Fire And Rain"

The Clash - "Should I Stay or Should I Go"

Marvin Gaye - "Sexual Healing"

Radiohead - "Paranoid Android"

M.I.A. - "Paper Planes"

The Animals - "We Gotta Get Out of this Place"

Dusty Springfield - "Son of a Preacher Man"

Screamin' Jay Hawkins - "I Put A Spell On You"

Cheap Trick - "Surrender"

Mott The Hoople - "All the Young Dudes"

Beach Boys - "Sloop John B"

Amy Winehouse - "Rehab"

New York Dolls - "Personality Crisis"

Modern Lovers - "Roadrunner"

George Jones - "He Stopped Loving Her Today"

Bruce Springsteen - "Born in the USA"

The Beatles - "With A Little Help From My Friends"

Rolling Stones - "Miss You"

The Coasters - "Run Red Run"

Elvis Costello - "Alison"

James Brown - "Hot (I Need to be loved loved loved)"

Inner Circle - "Tenement Yard"

Ray Charles - "I Don't Need No Doctor"

Curtis Mayfield - "Freddy's Dead"

Gang Starr - "Beyond Comprehension"

Bo Diddley - "Bo Diddley"

Aretha Franklin - "Rocksteady"

Creedence Clearwater Revival - "Have You Ever Seen the Rain'

Howlin' Wolf - "Smokestack Lightning"

Bobby Womack - "Across 110th Street"

Roy Orbison - "In Dreams"

Foggy Hogtown Boys - "Man of Constant Sorrow"

Pink Floyd - "Wish You Were Here"

Neil Young - "Cortez The Killer"

Bob Dylan - "Subterranean Homesick Blues"

Little Eva - "Loco-Motion"

Elvis Costello - "Watching the Detectives"

Jimmy Cliff - "The Harder They Come"

The Verve - "Bittersweet Symphony"

Roberta Flack - "Killing Me Softly with his Song"

R.E.M. - "Radio Free Europe"

Radiohead - "No Surprises"

Led Zeppelin - "Ramble On"

Rolling Stones - "Beast of Burden"

Glen Campbell - "Wichita Lineman"

Junk in the Trunk: Drive’s Daily Blog for Wednesday March 25th 2015

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Each day, Rich Terfry and Radio 2 Drive wraps up your day with music and stories about the interesting things going on in the world.

Rich's pick: "I Am the Cosmos" by Chris Bell


Junk In The Trunk: 

Cat returns favour 

Funky flight attendant 

Dog greets owner after two years apart. Things get emotional

 

Rear View Mirror: 

Every week, Rich Terfry looks back in our Rear-view Mirror at a great song from the good ol’ days. This week, the Rolling Stones' "(I Can't Get No) Satisfaction"

Somewhere, there's a tape that contains almost 45 minutes of the sound of Keith Richards snoring AND the seeds of the greatest rock and roll song ever written.

LISTEN

Rich Terfry takes you behind the all-time classic "Satisfaction," created during a Keith Richards' nap.

In 1965, the Rolling Stones were touring in the US for the third time. After a show in Clearwater, Florida, Keith Richards was asleep in his motel room, dreaming of rock and roll glory. A riff came to him in his dream. He knew it was a good one, so he stirred long enough to grab his guitar and a cassette recorder to document the riff. He later said, "on the tape you can hear me drop the pick and the rest is snoring". When he woke up the next morning, he had another idea - a title for the new song "(I Can't Get No) Satisfaction". 

Richards brought the idea to his song writing parter, Mick Jagger, and asked him if he could come up with some lyrics. The timing was perfect. Jagger had a bit of a chip on his shoulder that day. The tour had left Jagger feeling disgusted with America and what he called its "advertising syndrome". In ten minutes, while lounging by the motel pool, Jagger finished writing the song that would become an instant classic. 

Jagger later said that he figures Richards got the idea for the title line of the song from a Chuck Berry song called "30 Days", in which Berry sings, "I don't get no satisfaction from the judge..." Jagger says they listened to Chuck Berry a lot in those days and that "can't get no..." is not how an English person would express themselves. 

E Street Band guitarist Steven Van Zandt has suggested that this song shows the influence Bob Dylan was having on rock and roll at the time - the cynicism and bringing the personal lyrics of folk tradition into rock and roll.

Here's Keith Richards' and Mick Jagger's crowning achievement - a song widely regarded as the greatest rock song ever recorded that features the greatest guitar riff of all time. This is "Satisfaction" on Rear View Mirror.

Here are some other great editions of Rear-view Mirror:

Bob Dylan - "Like a Rolling Stone"

George Harrison - "My Sweet Lord"

Lynyrd Skynyrd - "Sweet Home Alabama"

Bobbie Gentry - "Ode to Billie Joe"

The Beach Boys - "Never Learn Not to Love"

Johnny Cash - "Ring of Fire"

The Kinks - "You Really Got Me"

The Beatles - "Yesterday"

Al Green - "Let's Stay Together"

Simon and Garfunkel - "The Boxer"

Smokey Robinson and the Miracles - "Tracks of my Tears"

Elvis Presley - "Heartbreak Hotel"

Bruce Cockburn - "Lovers In A Dangerous Time"

The Doors - "Light My Fire"

Bob Dylan & Jimi Hendrix - "All Along The Watchtower"

The Clash - "London Calling"

Phil Spector and the Ronnettes - "Be My Baby"

Os Mutantes - "Ando Meio Desligado"

The Diamonds - "Little Darlin"

Captain Beefheart - "Yellow Brick Road"

Elton John - "Bennie and the Jets"

Hank Williams - "Long Gone Lonesome Blues"

R.E.M. - "What's the Frequency, Kenneth?"

Tom Waits - "Jockey Full of Bourbon"

Neil Diamond - "Sweet Caroline"

The Who - "Pinball Wizard"

Buffalo Springfield - "For What It's Worth"

Five Man Electrical Band - "Signs"

Band Aid - "Do They Know It's Christmas"

John Lennon - "Imagine"

The Ugly Ducklings - "Nothin"

Bob Dylan - "Tangled Up In Blue"

The Beatles - "Norwegian Wood"

The Pursuit of Happiness - "I'm An Adult Now"

Bruce Springsteen - "Born To Run"

Arcade Fire - "Wake Up"

Gnarls Barkley - "Crazy"

Big Joe Turner - "Shake Rattle and Roll"

Martha and the Muffins - "Echo Beach"

Wilson Pickett - "In The Midnight Hour"

The Band - "The Night They Drove Old Dixie Down"

Fleetwood Mac - "Go Your Own Way"

The Animals - "House of the Rising Sun"

Ian and Sylvia - "Four Strong Winds"

James Brown - "Please Please Please"

John Cougar Mellencamp - "Pink Houses'"

Leonard Cohen - "Suzanne"

The Ramones - "I Wanna Be Sedated"

Blue Rodeo - "Try"

The Guess Who - "American Woman"

U2 - "I Still Have't Found What I'm Looking For"

Janis Joplin - "Me and Bobby McGee"

Gordon Lightfoot - "If You Could Read My Mind"

The Byrds - "Eight Miles High"

Simon and Garfunkel - "The Sound of Silence"

Bill Haley and his Comets - "Rock Around The Clock"

The Velvet Underground - "I'm Waiting For The Man"

Johnny Cash - "Folsom Prison Blues"

Bobby Fuller - "I Fought The Law"

Big Star - "September Gurls"

The Hollies - "Bus Stop"

Joy Division - "Love Will Tear Us Apart"

Booker T and the MGs - "Green Onions"

Jimi Hendrix - "Hey Joe"

Neil Young - "Rockin' in the Free World"

Dolly Parton - "Jolene"

The Left Banke - "Walk Away Renee"

Lou Reed - "Walk On The Wild Side"

James Taylor - "Fire And Rain"

The Clash - "Should I Stay or Should I Go"

Marvin Gaye - "Sexual Healing"

Radiohead - "Paranoid Android"

M.I.A. - "Paper Planes"

The Animals - "We Gotta Get Out of this Place"

Dusty Springfield - "Son of a Preacher Man"

Screamin' Jay Hawkins - "I Put A Spell On You"

Cheap Trick - "Surrender"

Mott The Hoople - "All the Young Dudes"

Beach Boys - "Sloop John B"

Amy Winehouse - "Rehab"

New York Dolls - "Personality Crisis"

Modern Lovers - "Roadrunner"

George Jones - "He Stopped Loving Her Today"

Bruce Springsteen - "Born in the USA"

The Beatles - "With A Little Help From My Friends"

Rolling Stones - "Miss You"

The Coasters - "Run Red Run"

Elvis Costello - "Alison"

James Brown - "Hot (I Need to be loved loved loved)"

Inner Circle - "Tenement Yard"

Ray Charles - "I Don't Need No Doctor"

Curtis Mayfield - "Freddy's Dead"

Gang Starr - "Beyond Comprehension"

Bo Diddley - "Bo Diddley"

Aretha Franklin - "Rocksteady"

Creedence Clearwater Revival - "Have You Ever Seen the Rain'

Howlin' Wolf - "Smokestack Lightning"

Bobby Womack - "Across 110th Street"

Roy Orbison - "In Dreams"

Foggy Hogtown Boys - "Man of Constant Sorrow"

Pink Floyd - "Wish You Were Here"

Neil Young - "Cortez The Killer"

Bob Dylan - "Subterranean Homesick Blues"

Little Eva - "Loco-Motion"

Elvis Costello - "Watching the Detectives"

Jimmy Cliff - "The Harder They Come"

The Verve - "Bittersweet Symphony"

Roberta Flack - "Killing Me Softly with his Song"

R.E.M. - "Radio Free Europe"

Radiohead - "No Surprises"

Led Zeppelin - "Ramble On"

Rolling Stones - "Beast of Burden"

Beastie Boys win Paul's Boutique lawsuit

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Another high-profile music copyright lawsuit has been won by the Beastie Boys.

Whether it's shutting down energy drink companies or unauthorized uses of their catalogue in toy commercials, one thing is for sure: the Beasties have one stellar lawyer team that keeps it going full steam. 

Now they've squashed a lawsuit over samples in their sophomore album, Paul's Boutique.

The legal action was filed by TufAmerica in May 2012, one day before Adam "MCA" Yauch died. It claimed that the Beasties had sampled their client, Trouble Funk, without permission, specifically the group's song "Say What," allegedly sampled on the Paul's Boutique track "Shadrach."

As the Hollywood Reporter states, a New York judge has ruled that TufAmerica never acquired an exclusive licence to the copyrighted material. At best, it had acquired a mere right-to-sue on the original musicians' behalf. Thus, the plaintiff lacked standing.

In other words, the Beastie Boys' style is wild and you know that it still is. 

On the second anniversary of losing MCA, The Strombo Show put together a Paul's Boutique special, where George Stroumboulopoulos deconstructed the album's samples and influences, track by track.

Aretha Franklin: celebrate the soul icon’s birthday with her best songs

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Not that you need an excuse to listen to Aretha Franklin on repeat, of course, but the Queen of Soul turns 73 today, so here is a quick salute to five fantastic songs that still give us shivers decades later.

"Respect"

Franklin turned this Otis Redding number into a feminist hype anthem for generations of confident women.

 

"I Say A Little Prayer"

There are so many wonderful and ultra-specific details in this song (running for the bus, coffee break time), grounding the chorus in a welcome, earthy reality. Even lamenting the possible loss of a lover, Franklin is every inch an in-command, fearless woman.

 

"Chain of Fools"

Even as a woman undone by an obsession with a bad man, Franklin is never anything less than fearless and perfect.

 

"Tiny Sparrow"

Sure, the mixing on this video could be a bit better, but Franklin's voice at 22 years old was already a fortress of strength and beauty.

 

"Don't Play That Song For Me (You Lied)"

Franklin singing and playing piano is the best thing ever and  she blazes through this defiant heartbreaker with all the intensity of a forest fire.

Find me on Twitter: @_AndreaWarner

LISTEN

Listen to CBC Music's Classic R&B/Soul stream

Zayn Malik leaves One Direction: a history of quitting the biggest bands in the world

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The biggest music news today is that Zayn Malik is quitting the most popular band in the world, One Direction. The good news for fans is that One Direction will continue without him.

Breakups in bands, as in relationships, are rarely mutual agreements. Somebody usually wants out first. In the past 50 years of pop music, there have been several instances of members quitting the biggest bands in the world at the peak of their popularity. Sometimes this spelled the end of the band; other times they carried on.

Check out some of pop's biggest quitters in the gallery above.

LISTEN

Listen to CBC Music's Pop 40 stream

Blame it on the rain: celebrate spring with 10 stormy songs

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We like to keep things seasonally appropriate around here, so given that spring has finally sprung — in most of the country, anyway — we decided to put together a little rain-related playlist to listen to while cursing the fact your shoes are wet again.

(Also, we may or may not have constructed this entire playlist as an excuse to listen to Oran "Juice" Jones and the Smiths a bunch of times. Who can say?)


Pulling a Beyoncé: how surprise albums are making release dates obsolete

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The album release date is dead. Long live the album.

There’s been a lot of talk lately surrounding what weekday is best for releasing a new album. Currently in North America it’s Tuesday, but the music industry thinks it should be Friday — so much so that it's standardizing that day across the world this summer.

A multitude of reasons have been cited, including that research suggests Fridays are the most appealing day to buy music, and that it will help curb piracy by avoiding the current system of having albums come out in Europe before North America. But none of that really matters because artists have already come up with their own solution: no release day.

While executives have been talking and planning, artists have been acting, adopting the much more immediate solution of the surprise album drop. Without any notice, press release or promotion, big-name artists — Drake, Kendrick Lamar, Beyoncé, Radiohead — have been dropping albums on an unsuspecting world, finding not only a way to captivate an otherwise distracted audience, but also helping to elevate the album as a whole. More often than not, there won’t be an album single leading up to a release date, so our first experience ends up being the complete album.

Perhaps not surprisingly, the current trend goes back to the Queen Bey. On Thursday, Dec. 13, 2013, Beyoncé dropped her top-secret, previously unannounced, self-titled "visual album," which consisted of 14 songs paired with music videos. It debuted at number one on the U.S. Billboard 200, selling 828,773 copies in three days — the fastest-selling album in the history of the iTunes Store.

"[Fans] don’t invest in a whole album. It’s all about the single and the hype," she explained in a video that was released the same day. "I don’t want anybody to give the message when it’s coming out. I just want this to come out when it’s ready, and from me to my fans."

Beyoncé is by no means the first artist to do this: Radiohead’s 2011 album, King of Limbs, was a surprise, announced just four days before it was released, and California rap group Death Grips released their album for free, without warning, a month before Beyoncé — but the scale, effectiveness and reaction (1.2 million tweets in 12 hours) to how she did it was revolutionary. A pop artist forced people to consider the album as a whole. Other artists took note: the album mattered. It’s now become the norm, especially in hip-hop and R&B, for major artists to drop a surprise album. Or, as it’s been dubbed, to "pull a Beyoncé."

Drake dropped If You’re Reading This It’s Too Late on Feb. 12 (also a Thursday) with nothing more than a tweet to an iTunes link. Not only did it impressively sell 500,000 copies in its first week, but by March 7, every one of the 21 songs on the album charted on the Hot R&B/Hip-Hop Songs chart. With no front-running single, every song was a hit.

Kendrick Lamar was supposed to release To Pimp a Butterfly, his highly anticipated followup album to 2012’s Good Kid, M.A.A.D. City, on March 23, but instead, the album unceremoniously appeared on iTunes and Spotify on March 15, four days after it was announced. It may have been an error on the label's part, but it worked. Not only did it debut at number one on Billboard’s Hot 200 chart, selling 363,000 copies, but as Slate music critic writer Carl Wilson writes, it’s helped to reinvigorate an appetite for the concept album.

"[Five years ago,] it seemed probable that full-length recordings would be a casualty of contracted digital attention spans, supplanted by more frequent singles and EPs," he wrote. "Yet now, with the album returned to its role as top-of-the-card spectacle, it’s encouraging artists to make more audacious bets."

Kendrick’s album is dense and esoteric, heavy on concept and light on radio singles (save one, "i," which stands out most of all for sounding nothing like the rest of the album). And musically, it’s more akin to new jazz, funk and spoken word than any rap currently heard on the radio. For casual rap fans, it could even be described as inaccessible; its success a point in favour for the return of the album format.

That puts it in line, musically, thematically, with another surprise album, D’Angelo’s Black Messiah. Arguably the most anticipated R&B album of the decade, Black Messiah just appeared as a digital download on Monday, Dec. 15, 2014 — 14 years after his last album — forcing journalists to rethink their best-of lists and debuting at number five on the Billboard 200, selling 117,000 copies in the United States.

It’s true that longtime fans were eagerly awaiting this album, and producer/drummer Questlove kept teasing his Twitter followers about the album’s state of completeness, but the reaction proved that fans like nothing more than a surprise. Even if they’re expecting an album to be released at some point in the future, adding the element of surprise seems to be the thing that was missing, the thing that forces fans to re-engage with the album again. We’re forced to listen to it front to back, in sequence, sharing our picks for favourite songs on social media.  

It may have started as a novel way to release an album, but it’s slowly becoming the norm. Just this week, rapper Earl Sweatshirt vented his frustration at his label, Columbia, for announcing his new album before it was released. It used to be that artists were upset when labels didn’t promote them.

And while the approach may be more prevalent with rap and R&B — where a surprise release isn’t as much of a stretch given the genre’s long history with releasing free mixtapes via social media — capital-R rock acts are also joining in. In 2013, David Bowie released his 24th album, The Next Day, on his 66th birthday, surprising even his own people. Just last year, Radiohead frontman Thom Yorke released his second solo album, Tomorrow’s Modern Boxes, the same day it was announced (Friday, Sept. 26) on the peer-to-peer sharing site BitTorrent for $6 US. It was downloaded more than a million times in its first six days. And of course, let us not forget U2, whose album Songs of Innocence was announced at an Apple product launch — the same day it automatically appeared on people's devices. 

So while the industry gets ready to officially change album release dates to Fridays, the new norm is already taking place.

"Release dates is played out. So the surprise is going to be a surprise," Kanye West proclaimed in a recent radio interview about his expected album, So Help Me God, which (surprise!) does not have an official release date.

Follow Jesse Kinos-Goodin on Twitter: @JesseKG

 

LISTEN

Listen to CBC Music's Hip-Hop stream


CBC Radio 3 Podcast: changes announced and explained at Radio 3

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Would you believe that this is the tenth year of the CBC Radio 3 Podcast? Yup, it debuted back in June of 2005. That's a long, long time for any show to exist, let alone a podcast. And Grant Lawrence is still behind the microphone, ten years later.

Over on CBC Radio 3's live stream and Sirius 162, things are changing as of next week. On this podcast, Grant Lawrence will detail all of those changes, as well as announce some exciting new features, all while playing you the latest music from Canadian artists such as Kathryn Calder, Coyote, Del Bel, Andy Kim and many more.

What are your favourite CBC Radio 3 memories from the past decade? What would you like to see Radio 3 embrace or change moving forward? Post your comments in the blog or tweet us @cbcradio3.

Earbuds in, volume up, smiles wide!

LISTEN

Listen to the March 2015 podcast with Grant Lawrence.

Or right-click the links below to download:

CBC Radio 3 Best of 2014 podcast in MP3

CBC Radio 3 Best of 2014 podcast in M4A

CBC Radio 3 Best of 2014 podcast in OGG

Junk in the Trunk: Drive’s Daily Blog for Thursday March 26th 2015

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Each day, Rich Terfry and Radio 2 Drive wraps up your day with music and stories about the interesting things going on in the world.

Rich's pick - "Spinning Wheel" by Lonnie Smith: 

Junk In The Trunk: 

Best reaction to baby news ever: 

23 weird awards you can win!

Jerk of the week:

My Playlist: Serena Ryder shares her musical tastes, from Gordon Lightfoot to Miley Cyrus

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LISTEN

My Playlist with Serena Ryder

This week on Inside the Music, Serena Ryder shares her favourite tracks on My Playlist.

If you hadn’t heard of Ryder before "Stompa," you certainly have now. Her 2012 single went double platinum as a digital download, and it's turned her from a perennial up-and-comer to a bona fide star.

But, as usual, things didn’t happen overnight. Ryder has been performing since she was just a kid growing up in Millbrook, Ont.  When she was about 20, Hawksley Workman heard her big voice on CBC Radio and immediately signed her to his label. One album led to another and, eventually, to her breakout 2005 album, Unlikely Emergency— her first release for a major label, produced by Workman. The next year Ryder released If Your Memory Serves You Well, an album of mostly Canadian cover songs. In 2008 she released Is It O.K., which won the Juno for best adult alternative album. She toured relentlessly, including a stint opening for Melissa Etheridge.

Ryder’s  fifth album, 2012's Harmony, was the game-changer. The single "Stompa" quickly charted high in the States and, within days of its release, it was the first Canadian track to hit the number one spot on CBC Radio 2's Top 20 chart. Suddenly, Ryder was everywhere — on late-night American television, singing "O Canada" at an NBA all-stars game and co-hosting the 2014 Junos with the rapper Classified. She won two Junos that year.

Ryder's playlist includes tracks by Gordon Lightfoot, Kevin Drew, Alvvays and Miley Cyrus.

My Playlist airs Sunday at 3:00 p.m. (3:30 NT) and Wednesday at 7:00 p.m. (7:30 NT) on CBC Radio 2.

Radio 2 Top 20, March 27: Joel Plaskett in top 5, Gabrielle Papillon and Elliot Maginot debut

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Click here to vote on the #R220!

LISTEN

#R220 chart countdown with Nana aba Duncan

This week, there are four new entries, including East Coast singer-songwriter Gabrielle Papillon's "With Our Trouble" and Montrealer Elliot Maginot's "Monsters at War." Joel Plaskett makes a jump into the top five with "Credits Roll," and my bestie Brittany Howard is no longer at number one: Alabama Shakes' "Don't Wanna Fight" takes a hit and slides to third place. 

New: the Weepies, a.k.a. Deb Talan and Steve Tannen, have a great story of the strength of love and family. The day the couple met, they started writing together and haven't stopped. Today they have three kids they home-school, and the two completed their latest album at home while Talan was recovering from cancer. The Weepies' new song on the chart is called "No Trouble." Here's a clip of the song and a snapshot of their life while they were making the album.

This week’s chart

1.  Florence and the Machine, "What Kind of Man" 

2.  Mumford and Sons, "Believe" 

3.  Alabama Shakes, "Don't Wanna Fight" 

4.  Joel Plaskett, "Credits Roll" 

5.  Whitehorse, "Baby What's Wrong"  

6.  Reuben and the Dark, "Bow and Arrow"   

7.  Of Monsters and Men, "Crystals" *NEW*

8.  Tor Miller, "Midnight"

9.  Christina Martin, "It'll Be Alright" 

10.  Ron Hawkins, "Saskia Begins" 

11. Tobias Jesso Jr., "How Could You Babe"

12.  James Bay, "Hold Back the River" 

13.  Jenn Grant, "Bring Me a Rose" 

14.  Great Lake Swimmers, "Zero in the City"

15.  Terra Lightfoot, "Never Will" 

16.  The Decemberists, "Cavalry Captain" 

17.  The Lone Bellow, "Take My Love" *RE-ENTRY* 

18.  The Weepies, "No Trouble" *NEW* 

19.  Elliot Maginot, "Monsters at War" *NEW*

20.  Gabrielle Papillon, "With Our Trouble" *NEW* 

CBC Radio 3: the definitive timeline

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For fifteen years and counting, CBC Radio 3 has been dedicated to delivering you the best new and emerging Canadian music and content. We've done this in many, many different forms and formats over the years.

On Monday March 30, we're about to begin a new chapter of Radio 3. Artist and hosted features will heard in place of our live hosting. Longtime hosts Grant Lawrence and Lana Gay will still be heard introducing new songs, just not in a live format, and our ever-lively blog discussions with you will continue.

If there's one thing that's been consistent about Radio 3, it's that it's alvvays changing in an attempt to meet your needs, and reflect the changes going on at the CBC.

Hover and click through the EPIC gallery above to check out the CBC Radio 3 timeline through the years.

What's your favourite CBC memory or discovery? What would you like to see and hear on CBC Radio 3 moving forward? Post your comments to our blog or tweet us @CBCRadio3.

LISTEN

For one final time... listen to hosts Grant Lawrence, Lana Gay, and Louise Burns on their last hosted shows today on CBC Radio 3!

Rear-view Mirror: Crashing through the folk! The Story of Martha and the Muffins

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Every week, Rich Terfry looks back in our Rear-view Mirror at a great song from the good ol’ days. This week, Martha and the Muffins with "Echo Beach."

The Canadian music scene in 1977 could be summed up in a word: folky. The big names of the day were Neil YoungGordon LightfootJoni MitchellMurray McLauchlanValdyAnne Murray.

So when Martha and the Muffins, a new wave group came along, they were very much out of step with the popular sound of the day. The Canadian music industry didn't quite know what to make of them. In fact, the band had to go to the UK to secure a record deal.

LISTEN

Listen the super enhanced audio edition of Rear-view Mirror to hear some great MATM material!

The band started at the Ontario College of Art and Design. When it came time to choose a name for the band, they had a hard time making a decision. The one thing they knew for sure was that they didn't want to go with an aggressive-sounding name as was typical of the punk-influenced bands of the day. They started calling themselves The Muffins as a joke until they were able to settle on something permanent, but the name stuck.

When the band's debut album was released, they had a huge international hit on their hands. "Echo Beach" charted in Canada, the UK and Australia. The song went gold and won a Juno Award for Single of the Year.

Following the success of "Echo Beach", the band's label had high expectations for them to deliver another hit. They offered the band a significant budget so that they could afford to work with any of the biggest producers in the world. When they said they wanted to work with a friend of theirs, an unproven Canadian producer, their label only agreed to the decision on the condition that the band accept a big cut to the budget. But the band believed in their friend's talent and accepted the compromise. So who was this unknown, unproven producer? None other than Daniel Lanois.

It was one of his very first projects before going on to work with giants like U2, Peter Gabriel and Bob Dylan.

Here's the song that put Martha and the Muffins on the map. This is "Echo Beach."

Here are some other great editions of Rear-view Mirror:

Wilson Pickett/In The Midnight Hour

The Band/The Night They Drove Old Dixie Down

Fleetwood Mac/Go Your Own Way

The Animals/House of the Rising Sun

Ian and Sylvia/Four Strong Winds

James Brown/Please Please Please

Leonard Cohen/Suzanne

The Ramones/I Wanna Be Sedated

Blue Rodeo/Try

The Guess Who/American Woman

U2/I Still Have't Found What I'm Looking For

Janis Joplin/Me and Bobby McGee

Gordon Lightfoot "If You Could Read My Mind"

The Byrds "Eight Miles High"

Simon and Garfunkel "The Sound of Silence"

Bill Haley and his Comets "Rock Around The Clock"

The Velvet Underground "I'm Waiting For The Man"

Johnny Cash "Folsom Prison Blues"

Bobby Fuller "I Fought The Law"

Big Star "September Gurls"

The Hollies "Bus Stop"

Joy Division "Love Will Tear Us Apart"

Booker T and the MGs "Green Onions"

Jimi Hendrix "Hey Joe"

Neil Young "Rockin' in the Free World"

Dolly Parton "Jolene"

The Left Banke "Walk Away Renee"

Lou Reed "Walk On The Wild Side"

James Taylor "Fire And Rain"

The Clash "Should I Stay or Should I Go"

Marvin Gaye "Sexual Healing"

Radiohead "Paranoid Android"

M.I.A. "Paper Planes"

The Animals "We Gotta Get Out of this Place"

Dusty Springfield "Son of a Preacher Man"

Screamin' Jay Hawkins "I Put A Spell On You"

Cheap Trick "Surrender"

Mott The Hoople "All the Young Dudes"

Beach Boys "Sloop John B"

Amy Winehouse "Rehab"

New York Dolls "Personality Crisis"

Modern Lovers "Roadrunner"

George Jones "He Stopped Loving Her Today"

Bruce Springsteen "Born in the USA"

The Beatles "With A Little Help From My Friends"

Rolling Stones 'Miss You'

The Coasters 'Run Red Run'

Elvis Costello, 'Alison'

James Brown, 'Hot (I Need to be loved loved loved)'

Inner Circle, 'Tenement Yard'

Ray Charles, 'I Don't Need No Doctor'

Curtis Mayfield, 'Freddy's Dead'

Gang Starr, 'Beyond Comprehension'

Bo Diddley, 'Bo Diddley'

Aretha Franklin, 'Rocksteady'

CCR, 'Have You Ever Seen the Rain'

Howlin' Wolf, 'Smokestack Lightning'

Bobby Womack, 'Across 110th Street'

Roy Orbison, 'In Dreams'

Foggy Hogtown Boys, 'Man of Constant Sorrow'

Pink Floyd, 'Wish You Were Here'

Neil Young, 'Cortez The Killer'

Bob Dylan, 'Subterranean Homesick Blues'

Little Eva, 'Loco-Motion'

Elvis Costello, 'Watching the Detectives'

Jimmy Cliff, 'The Harder They Come'

The Verve, 'Bittersweet Symphony'

Roberta Flack, 'Killing Me Softly with his Song'

R.E.M., 'Radio Free Europe'

Radiohead, 'No Surprises'

Led Zeppelin, 'Ramble On'

Glen Campbell, 'Wichita Lineman'

Rolling Stones, 'Beast of Burden'

John Cougar Mellencamp, 'Pink Houses'


Indie electronic fusionists Pick a Piper get the remix treatment

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Toronto-based electronic band Pick a Piper is re-exploring its self-titled debut album, releasing a remix of the original tracks as Pick a Piper: Remixes on April 7.

Band members and multi-instrumentalists Brad Weber, Angus Fraser and Dan Roberts gave their songs to an international roster of DJs for the project. Jeremy Greenspan (Junior Boys) takes the song "Lucid in Fjords" with its hazy, gauzy glory and echo-laden vocals by Ruby Suns' Ryan McPhun and hotwires it for the dance floor. Beats are generously added with keyboard flourishes and the occasional snare drum hit for accent. McPhun’s voice is reduced to whispers and looped hiccups. The results are sure to fill the floor.

LISTEN

"Lucid in Fjords"

Jeremy Greenspan remix

Montreal’s ethereal bass duo Sibian and Faun (Milo Reinhardt and Xavier Léon) take the driving indie-dance rock and polyrhythms of "Once Were Leaves" and add a menacing tone to the opening, ripping the song apart with skittering beats and glitches. What was once a bright confection is re-rendered for the dark alcoves of the club.

LISTEN

"Once Were Leaves"

Sibian and Faun remix

Pick A Piper: Remixes his stores on April 7, 2015. Pre-order it in iTunes.

Pick a Piper are also Searchlight 2015 entrants: listen to their song, "All Her Colours," here.

LISTEN

Listen to CBC Music's Chill Out mix

The Strombo Show: Ani DiFranco

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"There is nothing harder than to stop in the middle of a battle and say you're sorry."

The Strombo Show runs the gamut this Sunday night, keeping the spirit of radio alive by delivering the best records in the best order. It's a show for music lovers by music lovers, ranging over three hours of commercial-free music to honour both old and new.

Iconic singer-songwriter Ani DiFranco joins George Stroumboulopoulos for an acoustic performance and intimate interview in the House of Strombo.



DiFranco is celebrating her 18th studio album, Allergic to Water, on which she declares her reservations about big data and internet-induced ADD with a focus on long-term relationships, motherhood and spirituality. 

She strums a few songs off the album while also sharing her thoughts on Ferguson, her place in the folk community and accepting her maternal role. She debuts a previously unreleased song: "The Pacifist's Lament."

Also, with NCAA March Madness in full force, we've decided to dust off some of the finest musical odes to basketball. This means everything from Kobe Bryant to Shaquille O'Neal, Cheech and Chong to Charles Mingus.

As always, we tip our hats to those groundbreakers and game-changers with a Nod to the Gods, spinning the best new tracks, paying tribute to Tom Waits on Ten with Tom and we send you into the horizontal with the Big Lie Down.

Lock it. Crank it. Join the collective!

Junk in the Trunk: Drive’s Daily Blog for Friday March 27th 2015

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Each day, Rich Terfry and Radio 2 Drive wraps up your day with music and stories about the interesting things going on in the world.

Rich's Pick: "All Night Long" by Mary Jane Girls

Junk In The Trunk:

Shelby's favourite song 

If you can get through this without smiling, you must have a heart of stone

How to capture a cat

Rear View Mirror:

Every week, Rich Terfry looks back in our Rear-view Mirror at a great song from the good ol’ days. This week, Martha and the Muffins with "Echo Beach."

The Canadian music scene in 1977 could be summed up in a word: folky. The big names of the day were Neil YoungGordon LightfootJoni MitchellMurray McLauchlanValdyAnne Murray.

So when Martha and the Muffins, a new wave group came along, they were very much out of step with the popular sound of the day. The Canadian music industry didn't quite know what to make of them. In fact, the band had to go to the UK to secure a record deal.

LISTEN

Listen the super enhanced audio edition of Rear-view Mirror to hear some great MATM material!

The band started at the Ontario College of Art and Design. When it came time to choose a name for the band, they had a hard time making a decision. The one thing they knew for sure was that they didn't want to go with an aggressive-sounding name as was typical of the punk-influenced bands of the day. They started calling themselves The Muffins as a joke until they were able to settle on something permanent, but the name stuck.

When the band's debut album was released, they had a huge international hit on their hands. "Echo Beach" charted in Canada, the UK and Australia. The song went gold and won a Juno Award for Single of the Year.

Following the success of "Echo Beach", the band's label had high expectations for them to deliver another hit. They offered the band a significant budget so that they could afford to work with any of the biggest producers in the world. When they said they wanted to work with a friend of theirs, an unproven Canadian producer, their label only agreed to the decision on the condition that the band accept a big cut to the budget. But the band believed in their friend's talent and accepted the compromise. So who was this unknown, unproven producer? None other than Daniel Lanois.

It was one of his very first projects before going on to work with giants like U2Peter Gabriel and Bob Dylan.

Here's the song that put Martha and the Muffins on the map. This is "Echo Beach."

Here are some other great editions of Rear-view Mirror:

Wilson Pickett/In The Midnight Hour

The Band/The Night They Drove Old Dixie Down

Fleetwood Mac/Go Your Own Way

The Animals/House of the Rising Sun

Ian and Sylvia/Four Strong Winds

James Brown/Please Please Please

Leonard Cohen/Suzanne

The Ramones/I Wanna Be Sedated

Blue Rodeo/Try

The Guess Who/American Woman

U2/I Still Have't Found What I'm Looking For

Janis Joplin/Me and Bobby McGee

Gordon Lightfoot "If You Could Read My Mind"

The Byrds "Eight Miles High"

Simon and Garfunkel "The Sound of Silence"

Bill Haley and his Comets "Rock Around The Clock"

The Velvet Underground "I'm Waiting For The Man"

Johnny Cash "Folsom Prison Blues"

Bobby Fuller "I Fought The Law"

Big Star "September Gurls"

The Hollies "Bus Stop"

Joy Division "Love Will Tear Us Apart"

Booker T and the MGs "Green Onions"

Jimi Hendrix "Hey Joe"

Neil Young "Rockin' in the Free World"

Dolly Parton "Jolene"

The Left Banke "Walk Away Renee"

Lou Reed "Walk On The Wild Side"

James Taylor "Fire And Rain"

The Clash "Should I Stay or Should I Go"

Marvin Gaye "Sexual Healing"

Radiohead "Paranoid Android"

M.I.A. "Paper Planes"

The Animals "We Gotta Get Out of this Place"

Dusty Springfield "Son of a Preacher Man"

Screamin' Jay Hawkins "I Put A Spell On You"

Cheap Trick "Surrender"

Mott The Hoople "All the Young Dudes"

Beach Boys "Sloop John B"

Amy Winehouse "Rehab"

New York Dolls "Personality Crisis"

Modern Lovers "Roadrunner"

George Jones "He Stopped Loving Her Today"

Bruce Springsteen "Born in the USA"

The Beatles "With A Little Help From My Friends"

Rolling Stones 'Miss You'

The Coasters 'Run Red Run'

Elvis Costello, 'Alison'

James Brown, 'Hot (I Need to be loved loved loved)'

Inner Circle, 'Tenement Yard'

Ray Charles, 'I Don't Need No Doctor'

Curtis Mayfield, 'Freddy's Dead'

Gang Starr, 'Beyond Comprehension'

Bo Diddley, 'Bo Diddley'

Aretha Franklin, 'Rocksteady'

CCR, 'Have You Ever Seen the Rain'

Howlin' Wolf, 'Smokestack Lightning'

Bobby Womack, 'Across 110th Street'

Roy Orbison, 'In Dreams'

Foggy Hogtown Boys, 'Man of Constant Sorrow'

Pink Floyd, 'Wish You Were Here'

Neil Young, 'Cortez The Killer'

Bob Dylan, 'Subterranean Homesick Blues'

Little Eva, 'Loco-Motion'

Elvis Costello, 'Watching the Detectives'

Jimmy Cliff, 'The Harder They Come'

The Verve, 'Bittersweet Symphony'

Roberta Flack, 'Killing Me Softly with his Song'

R.E.M., 'Radio Free Europe'

Radiohead, 'No Surprises'

Led Zeppelin, 'Ramble On'

Glen Campbell, 'Wichita Lineman'

Rolling Stones, 'Beast of Burden'

Enter to Win Searchlight’s Yamaha Fan Giveaway

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When you help your favourite band win Searchlight, you can win too. Fans voting in Searchlight are eligible to enter to win prizes from Yamaha Canada Music. Each week, we will draw one name to win either a pair of Yamaha HPH-PRO400 headphones, an NX-P100 bluetooth speaker, or an RN-500 stereo receiver. There's no better way to enjoy listening to this year's Searchlight bands.

 

CONTEST RULES

CBC’s Searchlight Giveaway (“Contest”)

From Monday, March 30, 2015 at 6:00 a.m. ET to Friday, May 8, 2015 at 6 a.m. ET

(“Contest Period”)

Canadian Broadcasting Corporation (“CBC”)
and Yamaha Music Canada (“Sponsor”)

 

1. HOW TO ENTER

No purchase required. To enter the Contest, visit the CBC Music website at www.cbcmusic.ca/yamahagiveaway (the "Website") and correctly answer the question, then provide your name, email address and phone number, during the Contest Period.

To be valid, entries for each draw must be received by the day preceding each draw.

Limit of one entry per person per day. If you attempt or are suspected of attempting to enter more than once a day, or use robotic, automatic, programmed or any entry methods not authorized by these rules, it shall be deemed as tampering and will void your entries.

Entries become the property of CBC and will not be returned to you.

 

2.         ELIGIBILITY

Contest is open to all Canadian residents at the Contest opening date. For any contestant who has not reached the age of majority, parent or guardian consent is necessary to enter the Contest. Where appropriate, the terms "contestant" and "winner" mean parent or guardian of that person.

Employees of CBC, Yahama and their affiliates, as well as such employees' immediate family (father/mother, brother/sister, son/daughter) or persons living under the same roof are not eligible to enter this Contest.

 

3.         PROCEDURE FOR AWARDING PRIZES

A random draw will be made every week during Contest Period on Friday at 12:00pm ET from among all eligible entries received up to the time of the draw excluding previous winning entries. Weekly winners will not be eligible for any future weekly prizes.

Each weekly winner will be contacted by email during the week following the draw and should claim his/her prize as instructed by CBC by no later than 3 days after the date they are initially contacted. If a winner cannot be reached within 3 days following the first attempt of contact, incorrectly answers the mathematical skill-testing question, declines the prize, or fails to return the required release form, the prize shall be forfeited and CBC has the right, at its sole discretion, to select another winner.

 

4.         DESCRIPTION OF PRIZE(S)

Each week during the Contest Period (first prize winner chosen on Wednesday, April 3, 2015) one winner will receive a prize of either (1) a pair of Yamaha HPHPRO400 Headphones (approximate retail value of $349), (2) a Yamaha NXP100 Portable Bluetooth Speaker (an approximate retail value of $229) or (3) a Yamaha RN-500 Stereo Receiver (approximate retail value of $599).

The prize includes only what is specifically described and no other allowance will be granted.


5.         GENERAL RULES

5.1.       To be declared a winner, the selected contestant must first correctly answer a mathematical skill-testing question.

5.2.       Each winner shall sign a release declaring their eligibility as stipulated in Section 2 of these Rules; agreeing that their name, image and/or voice may be used for advertising purposes related to this Contest free of charge; and releasing CBC, Sponsors, their affiliates, as well as their respective directors, officers and employees (the “Contest Parties”) from all liability for any damage or loss arising from participation in this Contest or from the awarding, acceptance or use of the prize.

Anyone accompanying the winner in connection with the prize shall sign a release agreeing that their name, image and/or voice may be used for advertising purposes related to this Contest free of charge, and releasing the Contest Partiesfrom all liability for any damage or loss arising from use of the prize.

5.3.       The prize shall be accepted as is and may not be exchanged or refunded for an amount of money, sold or transferred. No substitutions will be allowed. Any unused portion of a prize will be forfeited.

5.4.       If the prize cannot be awarded as described in these Rules, CBC and Sponsor reserve the right to substitute a prize or prize component with another of comparable value, as determined in their sole discretion.

5.5.       Refusal to accept the prize releases the Contest Parties from any obligation toward the winner.

5.6.       If a contestant makes any false statement, (s)he will be automatically disqualified from the Contest.

5.7.       The Contest Parties assume no liability for any loss, damage or injury, including without limitation: (i) lost, stolen, delayed, damaged, misdirected, late, destroyed, illegible or incomplete entries; (ii) loss, theft or damage to software or computer or telephone data, including any breach of privacy; (iii) fraudulent calls; (iv) inability of any person to participate in the Contest for any reason including mistaken addresses on mail or e-mail; technical, computer or telephone malfunctions or other problems with computer on-line systems, servers, access providers, computer equipment, or software; congestion on the internet or at any website, or any combination of the foregoing; (v) damage to any person’s computer, including as a result of playing or downloading any material relating to the Contest; (vi) any delay or inability to act resulting from an event or situation beyond their control, including a strike, lockout or other labour dispute at their location or the locations of the organizations and businesses whose services are used to administer this Contest; or (vii) prizes that are lost, damaged or misdirected during shipping.

5.8.       Contestants found tampering with or abusing any aspect of this Contest, including but not limited to acting in violation of these Rules, attempting to participate in the Contest more than the maximum number of times allowed, to be acting with the intent to disrupt the normal operation of this Contest, as determined by CBC, will be disqualified. The discovery of any use of robotic, automatic, macro, programmed, third party or like methods to participate in the Contest will void any attempted participation effected by such methods and the disqualification of the contestant utilizing the same in CBC's sole and absolute discretion.

5.9.       When the Contest Rules allow entry via CBC’s Facebook, Twitter or any other CBC social networks, the terms of use of these social networks apply and the social network, as well as its directors and officers, assume no liability whatsoever in connection with the Contest.

5.10.    CBC reserves the right to cancel or suspend this Contest should a virus, bug or other cause beyond their reasonable control corrupt the security or proper administration of the Contest. Any attempt to deliberately damage any website or to undermine the legitimate operation of this Contest is a violation of criminal and civil laws.  Should such an attempt be made, CBC reserves the right to seek remedies and damages to the fullest extent permitted by law, including criminal prosecution.

5.11.     All personal information, such as name and contact information, is collected by CBC solely for the purposes of administering this Contest and shall not be used for any other purpose without your express consent. By providing this information, you consent to it being used for the stated purposes. Please see CBC’s privacy policy at http://www.cbc.ca/aboutcbc/discover/privacy.html.

5.12.    If the identity of a contestant is disputed, the authorized account holder of the e-mail address submitted at the time of entry will be deemed to be the contestant.  The individual assigned to the e-mail address for the domain associated with the submitted e-mail address is considered the authorized account holder.  A selected contestant may be required to provide proof that (s)he is the authorized account holder of the e-mail address associated with the selected entry.  All entries must be submitted from a valid e-mail account that may be identified by reverse domain name search. The sole determinant of time for the purposes of receipt of a valid entry in this Contest will be the Contest server.

5.13.    Odds of winning depend on the number of eligible entries.  All entries that are incomplete, illegible, damaged, irregular, have been submitted through illicit means, using any robotic, automatic programmed method that artificially increases the odds of winning or do not conform to or satisfy any condition of the rules may be disqualified by the CBC.  CBC is not responsible for any errors or omissions in printing or advertising this Contest.

5.14.    CBC reserves the right to amend the Contest Rules or to terminate the Contest at any time without any liability to any contestant. Any amendments to these Contest rules will be posted on the Website.

5.15.    By entering, you agree to abide by the Contest Rules and the decisions of CBC and Sponsor, which decisions are final and binding on all contestants.

5.16.    Contest Rules are available on the Website.

5.17.     If you have any accessibility requirements or special needs, please contact the contest coordinator, as noted below.

March 26, 2015
Contest coordinator

Mike Miner, Senior Producer
CBC Music

CANADIAN BROADCASTING CORPORATION



First Play: Toro Y Moi, What For?

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LISTEN

Toro Y Moi

What For?

Stream to April 6

Fans of Toro Y Moi will be delighted to know that singer-songwriter/avant-garde producer Chaz Bundick is as weird as ever on his new release, What For?, which you can listen to one week before its release in the player above.

What For? is a space disco, an R&B funk den, a piano lounge bar at the airport and a sunset harbour cruise with the cast of Broad City. In the press release, Bundick himself cites a host of casual and diverse influences, including Big Star, Talking Heads, Brazilian psychedelic soul legend Tim Maia and French '70s jazz-funk group Cortex.

"I’ve done electronic R&B and more traditional recorded-type R&B stuff," Bundick said. "I just wanted to see what else was out there. It’s all coming from the same mindset and point of creativity. It’s just me trying to take what I already have, and then taking it further."

Bundick rises to his own challenge. What For? is a gloriously bizarre, fun freakout of an album, particularly the joyously unhinged "Empty Nesters" and the trippy closing jam, "Yeah Right," which spins out in a shimmering slow burn.

Pre-order What For?.

LISTEN

Listen to CBC Music's Adult Pop stream.

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