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The Strombo Show: Steve Earle

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"I’m free. Can’t nobody tie me down. Nothing ever worries me. Ain’t nobody’s daddy now."

The Strombo Show runs the gamut this week, keeping the spirit of radio alive by delivering the best records in the best order. It's a show for music lovers by music lovers, ranging over three hours of commercial-free music to honour both old and new.

George Stroumboulopoulos is joined by the last of the hardcore troubadours, Steve Earle for an acoustic performance and intimate interview in the House of Strombo. 



Earle recently released his sixteenth solo studio album, 'Terraplane', which rejuvenates the importance of the blues through his iconic outlaw rag. He strums a few songs off his latest album, discusses his relationship with God, reflects on his relationship with Townes Van Zandt and reminisceS about the early Nashville days. 

To honour Kur(d)t Cobain, George dusts off some of his most treasured Nirvana records and unravels the world of sound that both influenced and celebrated Cobain.

Also, we debut a handful of exclusive songs by some brilliant Canadian musicians - Coeur de pirate, Hawksley Workman and Kathryn Calder of New Pornographers.

As always, we tip our hats to those groundbreakers and game-changers with a Nod to the Gods, spinning the best new tracks, paying tribute to Tom Waits on Ten with Tom and we send you into the horizontal with the Big Lie Down.

Lock it. Crank it. Join the collective!


Joni Mitchell condition updated as fans flood singer with #WeLoveYouJoni messages

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Canadian music icon Joni Mitchell was rushed to hospital Tuesday after reportedly being found unconscious in her home, and now her condition has been updated.

"Joni remains under observation in the hospital and is resting comfortably," reads a message on the legendary musician's website. "We are encouraged by her progress and she continues to improve and get stronger each day."

Mitchell's handlers also created a simple website that is aggregating all of the well-wishes for the 72-year-old on Facebook and Twitter. People can post a Facebook comment on the page, or send a tweet using the hashtag #WeLoveYouJoni.

Some are sending messages of healing; others are expressing how much Mitchell's music has meant to them.

"Warm wishes from the Norwegian cold, where you have warmed and moved our restless hearts for decades," reads a Facebook message from fan Siri Senje. "I know at least 50 of your songs by heart; there seems to be one for every experience, every emotion throughout my 57 years on this planet. I could never thank you enough!"

"Since I was a little girl I've loved Joni's music," reads a tweet from Debbie Dawnslight. "You've been there for me in my hardest times. I'm sending love your way!"

"Very sorry to learn you're unwell. My parents named me after you and your music has always felt like home," wrote fan Joni Zwart on Facebook. "Sending you love and light and hope you'll feel better soon."

Mitchell suffers from a rare disorder called Morgellons, and is a longtime smoker, but the reasons behind her hospitalization have not been made public.

Related:

Joni Mitchell in intensive care after being found unconscious

20 things you didn't know about Canadian icon Joni Mitchell

Listen: Joni Mitchell in conversation with Peter Gzowski, 1983

Joni Mitchell by the numbers

The Joni Mitchell Interview: A CBC Music Exclusive



First Play: Calexico, Edge of the Sun

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LISTEN

Calexico
Edge of the Sun
Stream until April 13

This album, Edge of the Sun, is like the greatest of dinner parties. Your hosts (here, Calexico's double backbone of Joey Burns and John Convertino) have assembled around their table a cavalcade of diverse, interesting guests. Members of the great Colorado band Devotchka and Seattle's Band of Horses sit alongside a traditional ensemble from Greece called Takim. Mexican powerhouse Carla Morrison is there, and so are Sam Beam and Neko Case.

These are folks you know, and new friends to make. You can almost hear their conversations, the sounds and discoveries; you can nearly imagine them. Or you can just press play and pull up a seat. 

Calexico's Edge of the Sun will be released on April 14. You can pre-order it here

Tracklisting

1. "Falling from the Sky" 
2. "Bullets & Rocks" 
3. "When the Angels Played" 
4. "Tapping on the Line" 
5. "Cumbia de Donde" 
6. "Miles from the Sea" 
7. "Coyoacán" 
8. "Beneath the City of Dreams" 
9. "Woodshed Waltz" 
10. "Moon Never Rises" 
11. "World Undone" 
12. "Follow the River"

Follow Brad Frenette on Twitter: @BradFrenette

First Play: Randy Bachman, Heavy Blues

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Randy Bachman

Heavy Blues

Stream to April 14

The impetus for Heavy Blues, the new album from Randy Bachman, was a conversation with Neil Young

From one Canadian icon to another, Young said, "If you're going to do a new album, don't do the same old thing and call it new. Start from scratch, reinvent yourself and do something that scares and challenges you," Bachman recounts in the liner notes to Heavy Blues

In order to do something new, Bachman had to do something old. On Heavy Blues, Bachman looks back to the guitar blues of the '50s and the London blues explosion of the '60s for inspiration, crafting an album that is heavy on rhythm and guitar solos, the latter courtesy of guest guitarists Peter Frampton, Neil Young, Luke Doucet, the late Jeff Healey and more.

"They were each asked to incorporate only what they felt fit into the mix and each solo kicked the song up several notches," Bachman writes.

See for yourself by streaming the album above. Available April 14, you can pre-order Heavy Blues on Amazon here.

First Play: Find the Others, Empire of Time

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Find the Others
Empire of Time
Stream to April 13, 2015

Find the Others may take its name from a Timothy Leary reference, but the band's new record isn't tripped-out psychedelia. No, Empire of Time is lush and bright, like one of those amazingly clear nights where the sky is bottomless and dark, but also vibrant and alive with galaxies of stars. It's the sound of getting lost in space, floating above the Earth, suspended and safe, buoyed by some kind of magic.

Andy Sheppard (who is also a producer at CBC), the main man behind Find the Others, exhibits a tenderness that's sentimental and gentle without being cloying. His whispery vocals, paired with excellent backing vocals throughout from Robin Dann and Felicity Williams, add to the gauzy, weightlessness of the tracks. That's not to say the songs are winsome or slight; rather, this is a confident, decisive collection that excels in its quiet strength and restrained beauty.

Listen to Empire of Time one week before its release, above, and pre-order it here.

Find me on Twitter: @_AndreaWarner

LISTEN

Listen to Laurie Brown's The Signal stream.

The R3-30: Canada’s top indie songs for the week of April 6, 2015

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Greetings chart watchers! 

Welcome to another edition of our weekly countdown. Today, Toronto ethereal popsters Moon King are the highest debut, Montreal's Milk & Bone keep rising steadily and Alvvays jumps up 5 spots this week to claim the #1 spot.

LISTEN

Listen to a playlist of songs from this week's R3-30.

30. Humans "Tell Me"
29. Supercrush "I Don’t Want To Be Sad Anymore"
28. Coyote "Proof Of Life" 
27. Seoul "The Line" 
26. Savvie "It’s OK"
25. Programm "Like The Sun" 
24. AquaAlta "Coral Castle" 
23. Taylor Knox "Fire"
22. Lids "Sarsfest"
21. Calvin Love "Daydream"
20. Braids "Miniskirt"
19. Golden Dogs "Pretending"
18. Nick Diamonds "The Sting"
17. Astral Swans "September"
16. Yukon Blonde "Saturday Night"
15. Limblifter "Dopamine"
14. Galaxie "Portugal"
13. Moon King "Apocalypse"
12. The Elwins "Is There Something"
11. Daniel Isaiah "Heaven Is On Fire"
10. Metz "Acetate"
9. Masia One "88 Vibes"
8. Viet Cong "Silhouettes"
7. Grounders "Secret Friend"
6. Kathryn Calder "Take A Little Time"
5. Twin River "Laugh It Off"
4. Whitehorse "Sweet Disaster"
3. The Acorn "Influence"
2. Milk & Bone "Coconut Water"
1. Alvvays "Party Police"

What's your favourite song on our chart this week? Which song deserves to be #1 next week? Let us know in the comments below or tweet us @cbcradio3

LISTEN

Listen to all these songs and more Canadian independent music on CBC Radio 3.


Staff pick First Play: Kathryn Calder, self-titled

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Kathryn Calder
Kathryn Calder

Stream to April 13

Take a step forward. A closer look. Lean in as Kathryn Calder lays out an album of love songs, a fittingly and simply self-titled collection.

The multi-instrumentalist for New Pornographers releases her third solo album this month, and she needs no preamble before listeners dive in. It’s all there in the subtleties: the ache in the words "you can never be mine, no you’ll never be mine, love" in the first single, "Song in CM;" the admission that "if we fall, then we fall," off the same track; the slow build to the crashing chaos of "When You See My Blood;" the heartbreaker of a mantra in dance-party anthem "Take a Little Time," where Calder sings, "And when you promise all the things that never last, I’ll forgive, and I’ll forgive you." On Kathryn Calder, the singer-songwriter doesn’t tiptoe around something we often ignore: life is short. And holy, is it heartbreaking.

It’s something Calder herself hasn’t been able to forget. She recorded her solo debut, Are You My Mother?, in 2009, while she was caring for her dying mother, who was diagnosed with ALS. Calder’s father died the year after her mother did, and in 2011 Calder released her Polaris longlisted sophomore album, Bright and Vivid. Within that time, New Pornographers also released two albums — Together (2010) and Brill Bruisers (2014). This year, Calder’s carving some space for herself.

Kathryn Calder was recorded on Vancouver Island in a studio that Calder’s husband, Colin Stewart, built. The two co-produced the album, which features work from fellow B.C. folk Dan Mangan, Jill Barber and Hannah Georgas. Originally, she recorded something entirely different, then changed her mind and scrapped the entire album, save for a few pieces. "I have a philosophy that nothing is a total waste," she told the Wall Street Journal.

Ultimately, it’s Calder’s classical, beautifully strong vocals that are showcased on the final songs, coupled with lush, layered synth-pop instrumentation. Where Calder’s lyrics lay her heart bare, she musically swathes each song: the complexity of tracks like "When You See My Blood" and "Take a Little Time" sit in seeming contrast to "Arm in Arm" and "Song in CM," but even the simplest-sounding tracks have layers of sound.

So take that step forward. That closer look. Listen to Calder’s album of love songs with an open heart.

Find me on Twitter: @hollygowritely

First Play: Laila Biali and the Radiance Project, House of Many Rooms

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Laila Biali and the Radiance Project

House of Many Rooms

Stream until April 13.

 

Toronto's Laila Biali is known primarily as a jazz artist. She has compiled many awards in the genre over the years, including best vocal jazz album in 2011 and SOCAN Composer of Year. But on her new record, Biali is showing us another side of her musical persona.

House of Many Rooms has Biali stepping out of the jazz world and exploring her pop sensibilities in a big way. The album opens with "Shadowlands," a driving, pulsing, high-energy track. "Love" and "Come Anything" are more in line with what you'd expect to hear from a jazz chanteuse poking around in a new genre, but then she just goes for it on "Sparrow." The delicate piano and vocal intro build into a full band performance — complete with strings — and just grow and grow, with her voice as bold and expressive as the music. 

House of Many Rooms will be released on April 14. You can stream the album in its entirety by clicking on the player above.

Tracklist:

1. "Shadowlands"
2. "Love"
3. "Come Anything"
4. "Little Bird"
5. "Sparrow"
6. "Shine"
7. "You"
8. "Upside Down"
9. "Wait for Me"
10. "Home"
11. "Plainclothes Hero"


Junk in the Trunk: Drive’s Daily Blog for Monday April 6th 2015

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Each day, Rich Terfry and Radio 2 Drive wraps up your day with music and stories about the interesting things going on in the world.

RICH'S PICK: "Coming Down" by The United States of America

JUNK IN THE TRUNK: 

The laziest dog on earth:

Tiny dancer:

Samurai dog:

REAR VIEW MIRROR:

Every week, Rich Terfry looks back in our Rear-view Mirror at a great song from the good ol’ days. This week, Buddy Holly and "Peggy Sue."


Some time in 1957, Buddy Holly wrote a song called "Cindy Lou", which was about his niece. The name of the song was later changed as a favor to his drummer, Jerry Allison.

LISTEN

Listen to Rich tell you how "Cindy Lou" became "Peggy Sue"

When Buddy Holly and the Crickets were in the studio to record "Cindy Lou", drummer Jerry Allison was having trouble nailing the beat. He was also playing too loudly for the recording engineer's liking. The engineer's solution was set up Allison's kit in the reception area, outside the studio. It was a less-than-ideal arrangement for Allison and he was a bit embarrassed, but Holly made a deal with him. Buddy told his drummer that if he went along with it, he'd change the name of the song to "Peggy Sue" for Allison's girlfriend, knowing the two had been fighting and that Allison was in the doghouse.

When they got back to recording, Allison continued to struggle with his performance. Perhaps only half-joking, the studio engineer told Allison that if he didn't get the beat right on the next take, the name would be changed back to "Cindy Lou". Allison asked for a time-out so he could practice a new approach to his performance.

When it was time to roll again, Jerry Allison played the beat in a completely different way than he had been playing it up to that point. It totally transformed the song. Luckily for him, Buddy Holly loved the new sound. It was lucky for Holly too. When the song was released in September in 1957, it shot to #3 on the charts.

As for Jerry Allison and his girlfriend, well, the song did the trick. Not only did it get Allison out of the doghouse, he and his girlfriend decided to get married. Their love story inspired Buddy Holly and so he recorded a demo of a sequel song called "Peggy Sue Got Married" in December of 1958. Two months later, before Holly could get into a studio to finish the song, he was killed in a plane crash at the age of 22.

Here's a song regarded as one of the greatest pop songs in history and one which many critics have called Buddy Holly's greatest work - this is "Peggy Sue" on Rear View Mirror.

Here are some other great editions of Rear-view Mirror:

George Harrison - "My Sweet Lord"

Lynyrd Skynyrd - "Sweet Home Alabama"

Bobbie Gentry - "Ode to Billie Joe"

The Beach Boys - "Never Learn Not to Love"

Johnny Cash - "Ring of Fire"

The Kinks - "You Really Got Me"

The Beatles - "Yesterday"

Al Green - "Let's Stay Together"

Simon and Garfunkel - "The Boxer"

Smokey Robinson and the Miracles - "Tracks of my Tears"

Elvis Presley - "Heartbreak Hotel"

Bruce Cockburn - "Lovers In A Dangerous Time"

The Doors - "Light My Fire"

Bob Dylan & Jimi Hendrix - "All Along The Watchtower"

The Clash - "London Calling"

Phil Spector and the Ronnettes - "Be My Baby"

Os Mutantes - "Ando Meio Desligado"

The Diamonds - "Little Darlin"

Captain Beefheart - "Yellow Brick Road"

Elton John - "Bennie and the Jets"

Hank Williams - "Long Gone Lonesome Blues"

R.E.M. - "What's the Frequency, Kenneth?"

Tom Waits - "Jockey Full of Bourbon"

Neil Diamond - "Sweet Caroline"

The Who - "Pinball Wizard"

Buffalo Springfield - "For What It's Worth"

Five Man Electrical Band - "Signs"

Band Aid - "Do They Know It's Christmas"

John Lennon - "Imagine"

The Ugly Ducklings - "Nothin"

Bob Dylan - "Tangled Up In Blue"

The Beatles - "Norwegian Wood"

The Pursuit of Happiness - "I'm An Adult Now"

Bruce Springsteen - "Born To Run"

Arcade Fire - "Wake Up"

Gnarls Barkley - "Crazy"

Big Joe Turner - "Shake Rattle and Roll"

Martha and the Muffins - "Echo Beach"

Wilson Pickett - "In The Midnight Hour"

The Band - "The Night They Drove Old Dixie Down"

Fleetwood Mac - "Go Your Own Way"

The Animals - "House of the Rising Sun"

Ian and Sylvia - "Four Strong Winds"

James Brown - "Please Please Please"

John Cougar Mellencamp - "Pink Houses'"

Leonard Cohen - "Suzanne"

The Ramones - "I Wanna Be Sedated"

Blue Rodeo - "Try"

The Guess Who - "American Woman"

U2 - "I Still Have't Found What I'm Looking For"

Janis Joplin - "Me and Bobby McGee"

Gordon Lightfoot - "If You Could Read My Mind"

The Byrds - "Eight Miles High"

Simon and Garfunkel - "The Sound of Silence"

Bill Haley and his Comets - "Rock Around The Clock"

The Velvet Underground - "I'm Waiting For The Man"

Johnny Cash - "Folsom Prison Blues"

Bobby Fuller - "I Fought The Law"

Big Star - "September Gurls"

The Hollies - "Bus Stop"

Joy Division - "Love Will Tear Us Apart"

Booker T and the MGs - "Green Onions"

Jimi Hendrix - "Hey Joe"

Neil Young - "Rockin' in the Free World"

Dolly Parton - "Jolene"

The Left Banke - "Walk Away Renee"

Lou Reed - "Walk On The Wild Side"

James Taylor - "Fire And Rain"

The Clash - "Should I Stay or Should I Go"

Marvin Gaye - "Sexual Healing"

Radiohead - "Paranoid Android"

M.I.A. - "Paper Planes"

The Animals - "We Gotta Get Out of this Place"

Dusty Springfield - "Son of a Preacher Man"

Screamin' Jay Hawkins - "I Put A Spell On You"

Cheap Trick - "Surrender"

Mott The Hoople - "All the Young Dudes"

Beach Boys - "Sloop John B"

Amy Winehouse - "Rehab"

New York Dolls - "Personality Crisis"

Modern Lovers - "Roadrunner"

George Jones - "He Stopped Loving Her Today"

Bruce Springsteen - "Born in the USA"

The Beatles - "With A Little Help From My Friends"

Rolling Stones - "Miss You"

The Coasters - "Run Red Run"

Elvis Costello - "Alison"

James Brown - "Hot (I Need to be loved loved loved)"

Inner Circle - "Tenement Yard"

Ray Charles - "I Don't Need No Doctor"

Curtis Mayfield - "Freddy's Dead"

Gang Starr - "Beyond Comprehension"

Bo Diddley - "Bo Diddley"

Aretha Franklin - "Rocksteady"

Creedence Clearwater Revival - "Have You Ever Seen the Rain'

Howlin' Wolf - "Smokestack Lightning"

Bobby Womack - "Across 110th Street"

Roy Orbison - "In Dreams"

Foggy Hogtown Boys - "Man of Constant Sorrow"

Pink Floyd - "Wish You Were Here"

Neil Young - "Cortez The Killer"

Bob Dylan - "Subterranean Homesick Blues"

Little Eva - "Loco-Motion"

Elvis Costello - "Watching the Detectives"

Jimmy Cliff - "The Harder They Come"

The Verve - "Bittersweet Symphony"

Roberta Flack - "Killing Me Softly with his Song"

R.E.M. - "Radio Free Europe"

Radiohead - "No Surprises"

Led Zeppelin - "Ramble On"

Rolling Stones - "Beast of Burden"

Glen Campbell - "Wichita Lineman"

Covered Classics: Matthew Barber, 'Last Song'

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It's the first Monday of the month, which means it must be time for another Covered Classics song.

CBC Music has teamed up with the Canadian Songwriters Hall of Fame to bring you a series of live song performances as part of each song's induction into the hall of fame. 

This month's Covered Classics song is "Last Song." It was originally recorded by Toronto band Edward Bear, and is covered here by Canadian singer-songwriter Matthew Barber.

"Last Song" is the type of recording that rock bands dream of: a hit that takes them to the top of the charts. Although three-piece Edward Bear, formed in 1967, had previously earned recognition with their songs "Masquerade" and "You, Me and Mexico," their biggest hit was "Last Song," composed by drummer and lead singer Larry Evoy.

While Edward Bear’s original sound was blues-rock, "Last Song" is a moderate tempo, light-pop commercial ballad, written for the 1970s AM-radio style.

"Last Song" relates a story of unrequited love, using the lovely poetic metaphor of a burning light ("Still my light’s on") to represent the singer’s feelings. He realizes that his girl will never feel the way he does about her, and he decides, regretfully, to move on. The universality of this emotion made the song one of the most popular of the early 1970s.

Performed by Barber, this rendition of the song strips it down to the basics. With a great moving bass line and the organ/piano combination, on first listen it sounds like something the Band may have recorded back in the same era that "Last Song" was originally released.

Check out this in-studio performance of April's Covered Classics song.

BBC, NPR, Triple J, RTÉ and CBC pick the songs you need to hear right now

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Each week at CBC Music, our staff members pick a list of songs you need to hear, writing passionate words with the hopes that you’ll add said artist to your playlist. Once a month, though, we do something different.

This time around, public broadcasters from across the world weigh in on those must-hear songs. NPR Music, BBC 1, Australia’s Triple J, Ireland’s RTÉ and CBC hosts give an international voice to Songs You Need to Hear, choosing a song from an artist you shouldn’t miss.

In this second instalment, NPR affiliate KCRW’s Jason Bentley, BBC 1’s Huw Stephens, triple j's Zan Rowe, RTÉ's Dan Hegarty and CBC's own Grant Lawrence and Laurie Brown make a case for six artists who should be on your radar.

To hear some of these voices make the case on-air, tune in to Radio 2 Drive at 6:45 p.m. on Tuesday, April 7.



Host:Zan Rowe, triple j, Mornings
Song you need to hear: "Young," Vallis Alps

I still love being completely floored by artists who’ve seemingly come from nowhere. Such is the case of the duo Vallis Alps, who comprise of David in Seattle, and vocalist Parissa in Australia’s capital city of Canberra (no last names listed). I found them via our triple j Unearthed website and community. Intricate, beautiful production that rolls and a vocal line that dances effortlessly between the beats; that chorus will hook you completely. It’s love at first listen.





Host:
Huw Stephens, BBC Radio 1
Song you need to hear: "Loveblood," Sundara Karma

We’ve had all sorts of great artist break through from BBC Introducing over the years, with some of the bigger names you might know including Jake Bugg and Florence & the Machine. I’m gonna give you a hot new tip now from one of the BBC Introducing artists I’ve been playing a lot on the show: this is Sundara Karma with "Loveblood."





Host:
Jason Bentley, KCRW (NPR affiliate in L.A.), Morning Becomes Eclectic
Song you need to hear: "10,000 Emerald Pools," Borns

Being in L.A. gives us the advantage of having some of the best established artists, and most promising rising stars right in our own backyard, and the new artist Borns is definitely one of the latter. This project is the creation of Garrett Borns, who was originally from western Michigan, but has since called L.A. his home. In November of last year, Borns released the first EP, titled Candy, which he wrote while living in a treehouse in the storied canyons of L.A. and Malibu.

The standout song was "10,000 Emerald Pools," a dreamy synth-pop track with layered harmonies and the eternal sound of L.A. summers driving underneath. Garrett himself has said that he intended to release the song in October because it was so quintessential L.A., where it’s seemingly sunny all the time. The title of the song, "10,000 Emerald Pools," is actually the address of a friend’s parents’ home in Las Vegas. Whether in Michigan, Los Angeles or Las Vegas, Borns is poised to be a big success, and this song has got us all here at KCRW really excited for his future.



Host: Dan Hegarty, RTÉ 2fm/2XM, The Alternative
Song you need to hear: "Donegal," Meltybrains?

This could be the soundtrack to the twilight hours at a summer festival, or just something to obsess for the rest of the year. "Donegal" by Meltybrains? (yes, there's supposed to be a question mark at the end of their name) is one of those tunes that has become a fixture on my show, The Alternative, of late.

Play it alongside a classic like "Pacific State" by 808 State, or a modern-day classic like FKA Twigs' "Closer," and it sounds right at home. Meltybrains? claim that they come from the fictional Irish city of Meltybrook, but if you can keep a secret, I'll discreetly tell you that they're from Dublin!

"Donegal" is a really easy tune to like straight away, and it's one that always gets an instant reaction when I play it on the show. That says just about everything you need to know about it. Take a listen, you'll more than likely love it.



Host:
Grant Lawrence, CBC Music
Song you need to hear: "Take a Little Time," Kathryn Calder

You may know Kathryn Calder from her role in the Canadian indie rock supergroup the New Pornographers, where she plays keyboards alongside her uncle, lead singer Carl Newman. What you might not know is that Calder also has a string of beautiful solo albums. The songs are nowhere near as bombastic as the New Pornographers; instead, they rely on a stripped-down, ethereal pop sound built around Calder's opera-trained voice. Her new self-titled album, which is her third, is out soon, and this is a beautiful first song to share from it.

Stream Kathryn Calder's new album in advance this week via our First Play.



Host:
Laurie Brown, CBC Radio's The Signal
Song you need to hear: "We Stared at the World," Find the Others

This track has been playing a lot at my place. I can't wait for the whole album, Empire of Time, to drop here in Canada on April 14. This track, "We Stared at the World," ticks all my boxes: it's dreamy, beautiful, with killer production and electronic effects — a great drop, too! And, it mentions Canada in February, which, if you've never had the luck to experience that: trust me, it's a special mindset.

Full disclosure: Find the Others is Andy Sheppard, who created The Signal on CBC Radio 2 with me. I don't care, I love this music.

Stream Find the Others' new album in advance this week via our First Play.



Listen to Jason Bentley, Huw Stephens and Grant Lawrence on Radio 2 Drive for the radio version of Songs You Need to Hear at 6:45 p.m. on Tuesday, April 7. Tune in online here.

Click on the image below to listen to the weekly Songs You Need to Hear feature, which has CBC staff across the country picking the must-hear tracks for your playlists.

What is your favourite discovery from our international edition of Songs You Need To Hear? Let us know in the comments below.

Find me on Twitter: @hollygowritely

'Where the gold at?' Ghostface Killah coming to Canada to look for next big star

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Ghostface Killah, the legendary rapper and founding member of Staten Island rap collective Wu-Tang Clan, thinks the next big rap or R&B star is hiding in Canada, and he’s coming to find them.  

"There’s talent. It’s there, it’s just the opportunity for them is hard. It’s like diamonds, just trying to figure out where the diamonds is at, where the gold at?" the rapper, dressed in a jewel-encrusted purple leather jacket, says.

By far, Ghostface, born Dennis Coles, is the most prolific and consistent Wu rapper, releasing some 16 studio albums since his heralded 1996 solo debut, Ironman, including last year’s Sour Soul, his collaboration with Toronto jazz trio BadBadNotGood. But his latest move will take Ghostface from behind the mic and put him behind a desk — or, more likely, a judge’s chair. He’s not only launching his label, Supreme Records, in Canada, but he’s starting a reality show competition, Canada Takes the Mic, to find his first signee.

Held over 35 days, Ghostface and his team will go across Canada looking for artists who "may have the raw talent, but require the experience, mentorship and resources of a legend to set them on the road to success," according to a press release. The "diamonds," as the rapper puts it.

The winner will be chosen by Ghostface, Canadian music mainstay Farley Flex and one surprise judge, who, considering Ghostface’s influence, could be anybody. The winner will be signed to Supreme Records and awarded $100,000 in prizes.   

We sat down with Ghostface to talk about Canada Takes the Mic, the Canadian music scene, moving to Toronto and how he came to work with BadBadNotGood. You can watch the full interview above.

Plus, we had some time, so we also asked him to read some CBC Radio 2 folk and classical IDs and the results were, well, everything we could ask for. Watch them below.

Follow Jesse Kinos-Goodin on Twitter: @JesseKG

Related: Ghostface shares details about Wu-Tang's Once Upon a Time in Shaolin

 

 

Neon Waltz to the Proclaimers: 7 albums to stream

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There's so much music and yet so little time to listen to it, which means you barely have enough time to find it. Let us help you with this little roundup of some of the albums that you can stream online this week.

Artist: The Proclaimers
Album: Let's Hear It For the Dogs
Where: Paste Magazine

"[T]he band has returned with new music, a full-length entitled Let’s Hear It For the Dogs that features their live band as well as contribution from the Vulcan String Quartet."

Artist: The Leisure Society
Album: The Fine Art of Hanging On
Where: The Guardian

"'The Fine Art of Hanging On is a recurrent, linking theme, although this wasn’t an intentional concept album,' according to singer and songwriter Nick Hemming."

 

Artist: Find the Others
Album: Empire of Time
Where: CBC Music

"Andy Sheppard (who is also a producer at CBC), the main man behind Find the Others, exhibits a tenderness that's sentimental and gentle without being cloying. His whispery vocals, paired with excellent backing vocals throughout from Robin Dann and Felicity Williams, add to the gauzy, weightlessness of the tracks."

Artist: Hein Cooper
Album: Hein Cooper (EP)
Where: Exclaim.ca

"Discovered in Sydney by Half Moon Run's manager, Franz Schuller, the Aussie songsmith made his way to Montreal to record his first official release. The four-track offering was produced by Marcus Paquin (Arcade Fire, the National, Hey Rosetta!) and explores themes of 'change, escapism and transformation.'"

Artist: Vice Souletric
Album: Vice For President (EP)
Where: DJ Booth

"Vice doesn't shy away from making a strong statement with the project, touching on 'the need for both political reform and personal growth.'"

Editor’s note: strong language warning, NSFW.

Artist: Neon Waltz
Album: First Light (EP)
Where: NME

"If you're a fan of Grizzly Bear, Fleet Foxes or the National, you're going to want to keep a close eye on this lot — we're anticipating big things"

Artist: Geoff Barrow and Ben Salisbury
Album: Ex-Machina OST
Where: Consequence of Sound

"Portishead’s Geoff Barrow and composer Ben Salisbury have helmed the score for Ex Machina, the forthcoming British sci-fi thriller about artificial intelligence."

For more new music, visit CBCMusic.ca/firstplay

Follow me on Twitter: @CBCJudith 

New York DJ throws party on NYC subway

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Commuting via public transportation in a big city can be an exercise in frustration on any given day. Force that travel underground via the subway and it's no wonder most commuters turn into impassive stone figures after a while. 

One too many grim trips on the train inspired the folks at AMK Productions to turn a subway car into a nightclub, complete with strobe lights, glow sticks and a red velvet rope. And it looks like it was actually a lot of fun.

 

Watch the entire video below:

Junk in the Trunk: Drive’s Daily Blog for Tuesday April 7th 2015

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Each day, Rich Terfry and Radio 2 Drive wraps up your day with music and stories about the interesting things going on in the world.

Junk In The Trunk: 

Slipper for pancake - fair trade?

Jerk of the week

Goats will be goats

 


Rear-view Mirror: Dolly Parton goes it alone with 'Jolene'

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Every week, Rich Terfry looks back in our Rear-view Mirror at a great song from the good ol’ days. This week, Dolly Parton and "Jolene".

There are several myths and legends about Dolly Parton's song "Jolene." It's been said that the song is about a bank teller who had been flirting with her husband. There's another story about a ten-year-old girl named Jolene who asked Parton for her autograph after a concert. But the real story is that of Parton striking out on her own after parting ways with her long-time mentor, Porter Wagoner.

LISTEN

Wagoner gave Dolly Parton her first big break in 1967 when he invited her into his fold and gave her a spot on his wildly popular TV and road shows. Soon he became her manager and helped negotiate her first record deal. Single handedly, Wagoner put Parton on the map.

They sang countless duets together and were named vocal group of the year in 1968 by the Country Music Association. For the next several years, it seemed the duo could do no wrong. Together they made hit after hit. But as this was happening, Parton's solo recordings were being ignored. She had every reason to believe she'd be nothing without Porter Wagoner.

But Dolly, being the fiercely driven performer that she is, needed to prove to herself and the world that she could do it on her own. So, in 1973, she made the painful decision to start cutting her ties with the man who opened the door for her. She poured that anguish into a song called "I Will Always Love You."

For as painful a time as it was for Dolly, it was also a time of great inspiration. She wrote "Jolene" within a few days of "I Will Always Love You."

"Jolene" was her first single after Dolly made the decision to embark on her solo career. It was released in October of 1973 and reached the number one position on the country charts in the U.S. and Canada in February of '74. It was also her first song to cross over to the pop charts. "I Will Always Love You" followed suit a few months later. By the middle of 1975, Dolly had five number one hits in a row and a bona fide superstar was born.

She now holds the record for the most number one hits by a female artist in country music history.

Here's the song that started it all for Dolly Parton's solo career.

Here are some other great editions of Rear-view Mirror:

The Left Banke "Walk Away Renee"

Lou Reed "Walk On The Wild Side"

James Taylor "Fire And Rain"

The Clash "Should I Stay or Should I Go"

Marvin Gaye "Sexual Healing"

Radiohead "Paranoid Android"

M.I.A. "Paper Planes"

The Animals "We Gotta Get Out of this Place"

Dusty Springfield "Son of a Preacher Man"

Screamin' Jay Hawkins "I Put A Spell On You"

Cheap Trick "Surrender"

Mott The Hoople "All the Young Dudes"

Beach Boys "Sloop John B"

Amy Winehouse "Rehab"

New York Dolls "Personality Crisis"

Modern Lovers "Roadrunner"

George Jones "He Stopped Loving Her Today"

Bruce Springsteen "Born in the USA"

The Beatles "With A Little Help From My Friends"

Rolling Stones 'Miss You'

The Coasters 'Run Red Run'

Elvis Costello, 'Alison'

James Brown, 'Hot (I Need to be loved loved loved)'

Inner Circle, 'Tenement Yard'

Ray Charles, 'I Don't Need No Doctor'

Curtis Mayfield, 'Freddy's Dead'

Gang Starr, 'Beyond Comprehension'

Bo Diddley, 'Bo Diddley'

Aretha Franklin, 'Rocksteady'

CCR, 'Have You Ever Seen the Rain'

Howlin' Wolf, 'Smokestack Lightning'

Bobby Womack, 'Across 110th Street'

Roy Orbison, 'In Dreams'

Foggy Hogtown Boys, 'Man of Constant Sorrow'

Pink Floyd, 'Wish You Were Here'

Neil Young, 'Cortez The Killer'

Bob Dylan, 'Subterranean Homesick Blues'

Little Eva, 'Loco-Motion'

Elvis Costello, 'Watching the Detectives'

Jimmy Cliff, 'The Harder They Come'

The Verve, 'Bittersweet Symphony'

Roberta Flack, 'Killing Me Softly with his Song'

R.E.M., 'Radio Free Europe'

Radiohead, 'No Surprises'

Led Zeppelin, 'Ramble On'

Glen Campbell, 'Wichita Lineman'

Rolling Stones, 'Beast of Burden'

John Cougar Mellencamp, 'Pink Houses'

Late bloomers: 10 musicians whose careers started after 30

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One of the best things about CBC's Searchlight contest is that it's open to artists of all ages, and we get some awesome entries from the very young as well as the very old.

Age can be intimidating. Youth is unfairly prized in music because young faces are easier to market. And we're all familiar with famous prodigies — Mozart wrote his first symphony at age eight; the Beatles created their entire catalogue before any of them turned 30.

But the truth is so few people are lucky enough to make music for a living, there's no formula for it, and you can start at any age. We've compiled a list of 10 artists who started late, were discovered in middle age or just took a while to get going.

Check them out in the gallery above, and vote in CBC's Searchlight competition.

LISTEN

Listen to the Searchlight 2015 stream

Shad, new host of CBC Radio Q, added to the CBCMusic.ca Festival lineup

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The CBCMusic.ca Festival is back in Toronto on Saturday, May 23, at TD Echo Beach, and we're happy to announce that Shad, the Juno Award-winning rapper and new host of CBC Radio One’s Q, has been added to the bill. He joins Bahamas, Patrick Watson, Joel Plaskett Emergency, Coeur de pirate, the Strumbellas, Lindi Ortega, Jenn Grant, Choir! Choir! Choir! and Tanika Charles, with still more to be announced.

In addition to music, there will a live taping of The Debaters (up for debate: "Whereas there are too many distractions, be it resolved live music sucks!"), a Vinyl Cafe tent with Stuart McLean, appearances by CBC Toronto personalities Matt Galloway, Dwight Drummond and Gill Deacon, as well as CBC Music and CBC Radio 2 personalities Rich Terfry, Tom Power, Talia Schlanger and more.

There will also be plenty of kid-friendly entertainment, including Mamma Yamma and Fred Penner, with more surprises planned.  

The CBCMusic.ca Festival will be broadcast live on CBC Radio, going live to air on Radio One (beginning at 9 p.m. ET) and rerunning on Radio 2 (beginning at 10 p.m. ET).  

Tickets for the CBCMusic.ca Festival are already on sale. General admission is $39.50 (plus FMF and service charges), free for kids 12 and under. Tickets are available at LiveNation.com, at all Ticketmaster outlets and by phone at 1-855-985-5000. The show is suitable for all ages.

St. Vincent performs new single, 'Teenage Talk,' on The Tonight Show

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St. Vincent, a.k.a. Annie Clark, performed her newest single on The Tonight Show Starring Jimmy Fallon last night, and it was as dreamy as you’d expect. She first debuted the song a month ago, as its synthy, calming effect crept up over the end credits of the third-last Girls episode of the season.

The track is, as the name suggests, about coming of age, which made it perfect for that particular episode of Girls (or any episode, really). It’s soaked in nostalgia ("You know I never loved you more/ than when we were hiding from those sirens, sirens./ Oh, we laughed so hard/ threw up in your mom’s azaleas") but St. Vincent also sings knowingly on how we fancifully look at our past ("That's just teenage talk, I don't think the past is better, better. Just cause it's cased in glass, protecting us from our now and later").

For The Tonight Show performance, St. Vincent added another layer: teen backup dancers doing subtle choreography behind her in puffy silver coats. You’re going to have to watch the below video a few times to appreciate all of the robotic wonder — and to learn the dance.

Spotify, YouTube or Tidal: who pays musicians the most?

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Jay Z recently pulled Reasonable Doubt, his debut album, off of the music streaming site Spotify. It may have something to do with the fact that he also launched his own competing streaming site, Tidal, or perhaps it's because it would take one million streams of Reasonable Doubt for Jay Z to earn the U.S. monthly minimum wage of $1,260.

This is according to a fascinating new infographic from analyst and designer David McCandless of Information is Beautiful, who has laid out in plain detail what musicians are paid for their music on streaming sites like Spotify, YouTube and Jay Z's own Tidal versus what they make from digital music retailers like iTunes and Amazon.

His findings, posted below, are alarming, especially when you compare, say, what it takes for an independent artist to make a basic living off of self-distributing albums (they would have to sell 105) versus how many times their song would have to stream on Tidal (184,859), Spotify (1,093,750) or YouTube (4.5 million).

Of course, there are some caveats, such as the fact that artists depend on a number of services to get their music out to listeners, rather than focusing solely on one, and these numbers don't take into account songwriter royalties, touring or contracts. 

That said, it's still an interesting glimpse into what it takes to make a living off your music. The graphic, below, is from McCandless's book Knowledge is Beautiful, which was excerpted in the U.K. Guardian

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